Mime Journal » Contributors

Contributors

Authors:

Alain Porte	Four Reflections on FranÃ§ois Delsarte
Aline GÃ©linas	The Traces of Becoming: A Look At Montreal's Omnibus
Anne Dennis	Etienne Decroux â€“ An Actor; A Teacher of Actors; An Actor's Director
Annette Lust	Personal Memories of Decroux, Mentor and Friend
Annie Loui	An Interview with Mark Epstein Dancing on Top of the Pyramid
Antenna Theater	Chris Hardman: Putting the Audience into the Performance
Anthony H. Chambers	Traces in a Child's Mind: Tanizaki Jun'ichirÅ and Traditional Japanese Theatre
Barbara E. Thornbury	More than a Home for Madama Butterfly: Why Japan Wanted a New National Theatre
Barbara Kusler Leigh	Jacques Copeau's School for Actors
Bill Stengel, Abigail Estes, Debra J. Clough, and Desmond Aldridge	Black Tuesday: A Contemporary NÅ Play
Carol Davis	Dabali: A Brief History of Nepal's Theatre in Transition
Carol Fisher Sorgenfrei	Fusion Playwriting as Artistic Strategy
Christiane Fournier	For Love of Human Statuary, a Man Decides to be Silent
Claude Outie	Actor Without Face
Claudia Orenstein	Collective Creation and Cross-Cultural Exchange
Corinne Soum	A Little History of a Great Transmission, or, Simplon's Tunnel Etienne Decroux â€“ An Unalterable Imprint Decroux the Ungraspable: or Different Categories of Acting â€“ Man of Sport, Man in the Drawing Room, Mobile Statuary, Man of Reverie
Craig Turner	NÅ and KyÅgen Masks in Actor Training Recent Experiments in the Use of NÅ and KyÅgen Traditions
Daniel Stein	A Compass for the Mind
Dave Williams	Unwitting Pioneers
Dean Fogal	Etienne Decroux â€“ Outside Paris Proper
Deidre Sklar	Chez Decroux Circa 1968 Passing Through the Oblique: The Embodied Thinking of Etienne Decroux
Desmond Jones	A Rebel All His Life
Diana McIntosh	Communicating Through Music
Don Kenny	The Face and the Mask
Donald Richie	NÅ Masks
Edward Gordon Craig	At Last A Creator in the Theatre, From the Theatre
Elena Randi	Consciousness and Inspiration in the Delsartean Theory
Eric T. Haskell	Drawn to the Page: Hamlet and Illustration as Interpretation
Erika Batdorf	Using the Struggle to Bring Forth Beauty
Etienne Bertrand Weill	The Art of Seeing
Etienne Decroux	A Concise Explanation of the Nature of Corpoream Mime Categories of Corporeal Mime Characteristics of My Teaching Creating a Mime Play Erudition Insulting the Audience Origins of Modern Mime Sculpture The Seahorse Zealot of Mime Design Lecture Decroux on Artaud Decroux on Dance, the Personality, and Categories of Corporeal Mime Words on Mime by Etienne Decroux
Eugenio Barba	The Ripe Action The Hidden Master
Franco Ruffini	Mime, The Actor, Action: The Way of Boxing A Little More Healthy Sport! Bertolt Brecht and Objective Boxing
Frits Vogels	Frits Vogels: A complete way of thinking/ A system with gaps/ A centered view of theatre
George Coates Performance Works	George Coates: Music-Theatre Spectacles
George Taylor	FranÃ§ois Delsarte, Prince Sergei Volkonsky and Mikhail Chekhov
Gina Lalli	Amazing Moments with Etienne Decroux
Grifteater, Pyramide op de Punt, and ThÃ©Ã¢tre du Mouvement	Three Statements
Hilary Hart	Do You See What I See? The Impact of Delsarte on Silent Film Acting
Holly A. Blumner	Black Tuesday: The Creation of a Contemporary NÅ Play
I Nyoman Catra	Bacchanalian Heiroglyphs
Iwasaki KyÅun	KyÅgen Masks
James R. Brandon	Kabuki and the War of Greater East Asia, 1931-1945
Jan Cohen-Cruz	Chez Decroux Circa 1968
Jan Munroe	C'est Un Sale MÃ©tier - Dertie Profeshun!
Janne Risum	The Sporting Acrobat: Meyerhold's biomechanics
Jean-Louis Mingalon	An Interview with Marie-HÃ©lÃ¨ne DastÃ©
Jeanne Chizuko Nishimura	A Life Giving Art: Traditional Art of NÅ Mask Carving
Jim Moore	Jim Moore Photography: 1972-1988
John Rudlin	Play's The Thing
John Towsen	With Your Brains And My Body: The Future Imperfect of Physical Theatre
Jonnah Salz	Leonard's Bastard Son: The Noho Theatre Group's First Two Decades
Joseph Fahey	Quiet Victory: The Professional Identity American Women Forged Through Delsartism
Julia Varley	The Pre-Expressive Family
Kanze Hisao	Life with the NÅ Mask
Kari Margolis	Risking the Fall
Karl Toepfer	The Aristocratic City: The Dance Aesthetic of Dorothee GÃ¼nther and the Political Legacy of FranÃ§ois Delsarte
Kathryn Wylie	Apologia for Decroux The Body Politic of Corporeal Mime: A Modern Redesign of Le Corps CivilisÃ© from Below
Kathy Welch	The Lion's Pride: A Kabuki-style Play
Kirsten Hastrup	Incorporated knowledge
Kitazawa Ichinen	The Expression of Ko-omote
KongÅ Iwao	Recollections and Thoughts on NÅ
Leonard C. Pronko	Leonard C. Pronko
Leonard Pitt	Merci Monsieur Decroux
Marco De Marinis	From Pre-Expressivity to the Dramaturgy of the Performer The Mask and Corporeal Expression in 20th-Century Theatre
Marco de Marinis	Copeau, Decroux and the Birth of Corporeal Mime
Marguerite Mathews	Opening the Doors to the Unimaginable
Mari Boyd	New Trends in Japanese Theatre: Hasegawa KÅji and the Decentralization of Theatre
Mark J Nearman	Behind the Mask of NÅ
Mark Piper	What is the Point? Words on Mime by Etienne Decroux
MatÄ›j KaÅ¡par	Traditional Czech Marionette Theatre
Maximilien Decroux	On Le Combat Antique On The Evil Spirit
Michael A. Pedretti	A Stream of Conscious Report: A Personal View From The Aqueducts
Michael Smith	What's My Connection to Jim
Monica Bethe	NÅ Costume as Interpretation Okina: An Interview with Takabayashi KÅji
Nakamura Yasuo	NÅ Masks: Their History and Development
Nancy Lee Chalfa Ruyter	Introduction
Nancy Lee Ruyter	La Meri's Corporeal Expression: East and West Theory, Performance, Teaching
Nicola Savarese	Towards the Eurasian Theatre
Nightfire Theater	Laura Farabough: Story, Characters, and Ideas
Nomura Mansaku	Some Thoughts on KyÅgen Masks
Nomura ManzÅ	Mask Making
Ogama Rebecca Teele	Women in NÅ Today
Paul Zaloom	The New Now
Paula Vanes	The Economy of Drama
Pepin Spoor	Recollections of a pupil, 1980-1984
Pinok and Matho	The Alchemic Process of Creation
Rebecca Teele	An Interview with Udaka Michishige NÅ and KyÅgen: An Introduction
Robert Graham	Recent Experiments in the Use of NÅ and KyÅgen Traditions
Ron Jenkins	Bacchanalian Heiroglyphs
Rose Whyman	FranÃ§ois Delsarte, Prince Sergei Volkonsky and Mikhail Chekhov
Ruby Cohn	Lagging Behind Leonard
SOON 3	Alan Finneral: Performance Landscapes
Samuel L Leiter	It's Not in Descartes: The Kabuki Essays of Leonard Pronko
Sandra Doyle	The Winnipeg International Mime Festival
Savannah Walling, Terry Hunter, Peter Eliot Weiss, Debbie Boyko, and Mark Parlett	Special Delivery Moving Theatre
Selma Landen Odom	Delsartean Traces in Dalcroze Eurhythmics
Seth Baumrin	My Grandfather Konstantin Sergeivich
Shigeyama SengorÅ	The KyÅgen Actor and His Relationship with the Mask
Survival Research Laboratories	Mark Pauline: Machine Mayhem
Taylor S. Lake	The Delsarte Attitude on the Legitimate Stage: Mary Anderson's Galatea and the Trope of the Classical Body
The Editors	Preface Introduction
The Paul Dresher Ensemble	Paul Dresher: Electric Opera
Theodore Shank	A Note on the Book Experimental Performance in the San Francisco Bay Area John Woodall: Sculptural Theatre Laura Farabough and Chris Hardman: Background
Thomas Leabhart	Dramaturgy in and of the Body A Note on the Book Guillermo GÃ³mez-PeÃ±a Jan Munroe John Malpede Jude Narita Kedric Wolfe Performance in Los Angeles Rachel Rosenthal Scott Kelman Tim Miller Cirque du Soleil The Winnipeg International Mime Festival Misunderstanding Delsarte (and Preserving the Cherries) Hugo and Baudelaire Introduction The Marionette The Mask The Origin of Corporeal Mime The Mask as Shamanic Tool in the Theatre Training of Jacques Copeau L'Homme de Sport: Sport, statuary, and the recovery of the pre-cartesian body in Etienne Decroux's corporeal Mime Does Etienne Decroux's "Great Project" Exist? Introduction An Interview with Maximilien Decroux Friday Night Pearls of Wisdom Introduction: The Man Who Preferred to Stand - Megalomaniac or Genius?
Tsumura ReijirÅ	DÅjÅji: Preparations for a Second Performance
Various	A New York Scrapbook At the Hawk's Well: An Experiment in Japan with NÅ Techniques in English
Vernice Klier	Eightieth Birthday Interview
Walter Pfaff	Creating A Living Space, or, How to Transmit Performative Knowledge Knowledge is a Matter of Doing
Wenwei Du	Western Influence upon Traditional Chinese Theatre
William Dashwod	Memory is the First Artist to Date
William Fisher	Struggle and Irony / Ashes and Flame
Willie Spoor	Batten Down the Hatches
Yuriko Doi	Recent Experiments in the Use of NÅ and KyÅgen Traditions
Yuriko Doi with Robert Graham	Masks in Fusion Theatre
Yves Marc	Disciples and Traitors: Such a shame, too bad, so much the better...